An acclaimed multi-media performance artist, Joan Jonas is also a major figure in video art. From her seminal performance-based exercises of the 1970s to her later televisual narratives, Jonas engages in an elusive theatrical portrayal of female identity. Employing an idiosyncratic vocabulary of ritualized gesture and symbolic objects that include masks, mirrors, and costuming, she explores the self and the body through layers of meaning.
1984, 23:36 min, color, sound
1988, 6:12 min, color, sound
1984, 24:04 min, color, sound
1972, 4:23 min, b&w, sound
1973, 17:27 min, b&w, sound
1976, 11:38 min, b&w, sound
1983, 19:32 min, color, sound
1976, 24:06 min, color, sound
1972, 8:50 min, b&w, sound
2002-2005, 47:45 min, color, sound
1974, 16:13 min, b&w, sound
1976, 31 min, b&w, silent, 16 mm film on video
1976-2000, 30 min, b&w, sound
1973-99, 15 min, b&w, sound
1972, 17:24 min, b&w, sound
2003, 7:03 min, color, sound
El Gringo
2003, 4:12 min, color, sound
Le Moment
2003, 2:44 min, color, sound
Over My Shoulder
2003, 13:48 min, color, sound
Blind Spot
2003, 12:27 min, color, sound
I JEDI
2003, 5 min, color, sound
Waltz
2003, 7:03 min, color, sound
Encore
2003, 4:38 min, color, sound
Automatic Writing
2003, 2:38 min, b&w, sound
WGG Test
2003, 5:20 min, color, sound
I Want to See How You See (or a portrait of Cornelia Providoli)
2003, 4:48 min, color, sound
Time After Time
2003, 5:22 min, color, sound
1973, 18:35 min, b&w, sound, 16 mm film on HD video
1973, 15:34 min, b&w, sound
Three Returns
1973, 13:14 min, b&w, sound
Barking
1973, 2:22 min, b&w, sound
1980, 29:03 min, color, sound
1972, 19:38 min, b&w, sound
1989, 28 min, color, sound
1968, 5:37 min, b&w, silent, 16 mm film on HD video
See also
1974-75, 55:45 min, b&w, sound
Nancy Holt and Robert Smithson
1969, 22 min, b&w, sound